Nine times out of ten I’ll use 128 samples for recording, and 1024 for mixing. System Overloads or pops and clicks in the audio are things to avoid. You’re aiming for the lowest Buffer Size possible without any hiccups. Latency is an audible delay in playback or processing.Įver record a singer who says that their singing sounds delayed in their headphones? That’s latency.Īnd latency can make recording impossible since the timing is all messed up between the singer and Logic. So you say fine, let’s choose 1024 samples just to be safe.īut at 1024 samples, you’ll run into Latency. And the result will be a System Overload. If you have lots of tracks, this can crush your Mac’s processing. Hell is this message.ģ2 samples means Logic barely has to wait. So if the smaller numbers mean Logic’s more of a priority, why not just choose 32 samples? And the larger the number, the longer it hangs in the waiting room: The smaller the number, the less time Logic has to hang in the waiting room. Setting the Buffer Size lets you choose how important Logic should be to your Mac. But when you’re mixing, it can take a little more of a backseat.
#LOGIC PRO X DOWNLOAD PROCESS MAC#
When you’re recording, you want your Mac to see Logic as #1. To manage all these tasks, it needs a way to prioritize the most important ones and postpone the less important ones. Your Mac is performing hundreds of tasks all the time. Your Mac has a waiting room of its own, and that’s the Buffer. (Have you ever not had to wait to see a doctor?) And depending on how many other people are waiting, you’ll have to wait. You walk in, you say hello to the receptionist, and they tell you to take a seat. Think of the waiting room at the Doctor’s office. In that case you’ll want to choose your interface as both the Input and Output Device: You can! Simply choose your interface as the Input Device, and the Built-in Output as the Output Device.īut say you have headphones or monitors connected to your interface. So say you’d like to record with your interface, but listen back with your Macbook Speakers. Now the cool thing is Logic allows you to choose different devices for both Input and Output. In the image above, you can see my Presonus Quantum interface listed as ‘Quantum.’ If you’ve connected your interface to your Mac, you should see it in the list. So when you click on the Output Device field, you should see a list of connected devices: And the Output Device is the device that will playback your audio when you hit play. An Input Device is the piece of gear that will be recording audio into your Mac. And what’s we’re most concerned with is the Output and Input Devices. What will appear is everything related to getting audio in and out of your Mac. To start, head to the top left corner of the Logic menu bar: In fact, I visit it on a daily basis.īecause if you want to get audio from the real world into your computer and back out, this is the place to make it happen. The Preferences menu is a place you’re going to want to get cozy with.
Setting up your recording session really boils down to a couple steps: Recording in Logic is pretty straight-forward when you know where to look.
#LOGIC PRO X DOWNLOAD PROCESS HOW TO#
Let’s dig in: Logic Recording 101: How to Make It All Work
Or maybe you just want a stress-free session for the band you’re recording next week! That recording you got of a bird chirping can be thrown through an effects chain like a pinecone through a lawnmower.Īnd afterwards you might have the perfect sound for that new dubstep track you’re working on. With a microphone, interface and your computer you can paint a world in sound. The ability to record drums, tubas or birds onto your computer is both fun and amazing. At the center of this whole crazy DAW universe is one important thing – recording.įor a moment let’s forget about virtual instruments, Flex, or Smart Tempo.
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